Showing posts with label film review - fantasy. Show all posts
Showing posts with label film review - fantasy. Show all posts

Tuesday, April 13, 2010

Titans Clash in my brain

So I saw the new Clash of the Titans this weekend. This was a movie I was actually looking forward to. Unlike many genre fans, I do not get upset at the prospect of Hollywood remakes. I could care less honestly... whatever they wanna do works for me. I don't have to go see it if it looks shit... and a lot of them do.

But Clash of the Titans....

My little disclaimer here - I'm committing a big movie review faux pax here and letting my fond memories of one movie taint my opinions of the newer one. It's never fair, but with a remake I feel like at least some comparison is in order.



This is a film I have a long, long history with. The original that is. I've said on here before that I don't have a storied film past... movies were just not something my parents presented to us as kids. But Clash of The Titans was one I caught on television very soon after it was released. I'm not sure of the year exactly, but it had to have been in the early 80s.

I can still remember the first time seeing the movie on my dad's wood paneled Zenith on what must have been a local station because we didn't have cable until around 1990. I was eating a salad drenched in blue cheese salad dressing that made me feel sick when the three Stygian witches stirred their cauldron with the hand emerging. I can remember how bad I wanted Bubo the clockwork owl. And I can remember this time and so many others being scared shitless at the scorpion fight, the two headed dog fight, and especially the horrifying (for a kid anyway) Medusa face off.

I had the book based on the screenplay, although I'm not sure I ever actually read more than the first chapter. I just loved the cover of it so much that I wore the book out just looking at all the detail there.

Even one of my favorite toys until I thought I was just too cool for toys anymore (holy shit did I ever turn that around), was the fucking Styx ferry driver! Screw you, Calabos, I'm going with the hooded skeleton!

Oddly he came with a sword, but most often I used him as some sort of miniature evil wizard that would kick He Man's ass. Man I really need to find this thing. I had the waist joint so worn that you could just flop it back and forth, and I'd really have to balance the figure when standing lest he just bend over at the waist and fall.

His skeletal hand in the film taking Perseus' coin and eerily closing around it just looked fantastic and I loved the crunchy sound effect with it. It was definitely one of my favorite parts.

Ray Harryhausen's special effects were beyond special in the film. While they certainly look dated now, they had such a nice, tangible quality about them. Just seeing the detail in his creatures was awe inspiring then and brings back waves of nostalgia now.

What I wouldn't give to have those awesome sculptures sitting on my fuckin desk!

I have to say that fond memories and nostalgia certainly color my opinion of the film. It's not great - it's actually really cheesy for the most part. Watching it now, you can see the overacting in virtually every facet. The film has pacing issues at times... it feels a bit long at almost 2 hours, but I do feel like it is well written and has an interesting story of the gods really toying with humans to serve their own ends. The story was very serious at times, but still felt light and definitely authentic to me for whatever reason. (The story certainly deviates from the original greek myth FYI... read up on the history of Perseus if you are interested. No Kraken for him!)

But any way you look at it, it is a magical fuckin movie to show to a kid!

But the magic has faded away in the past nearly 30 years. Differences in tone honestly  might have been my biggest problem with this Clash of the Titans remake.




I probably made a mistake in rewatching the 1981 film the same day I was going to watch the new one. I was not entirely fair in my judgments of it because I sat there the entire time comparing the two. As a CGI-effects laden action romp, new Clash serves its purpose. It looks great. I've heard there are some issues with the 3D version, but I saw the 2D so I can't comment on that. The costumes looked incredible. Liam Neeson was shiny as a fresh shit, and I really liked Hades' (Ralph Fiennes) charred armor in particular.

The Kraken looked cool as did many of the creatures involved. Medusa looked really awesome and I like that scene a lot. The fight with the scorpions isn't quite the same, but really cool here regardless. It's too bad the two headed dog never makes an appearance.

The three witches that reminded me of blue cheese salad dressing looked fantastic, but the scene didn't carry the same weight for me this time around.

The acting in the film is universally corny, but it comes with the territory. I didn't sign up for this expecting brilliance. There are some dramatic scenes, still though, that will have you gritting your teeth.

The story is changed a bit, but that's understandable. Remakes that are reworked a bit plotwise make more sense than 100% retelling the same story, as long as they are faithful to the original. Otherwise you just have a film that seems to say "I can do this better." And while new Clash was faithful at times, other times I felt those turds dropping.

MILD SPOILER ALERT
This is most apparent as the group begins its quest and are gearing up. Perseus (Sam Worthington) finds a golden mechanical owl in the chest and asks what it is. The head soldier (Mads Mikkelsen I believe?) tells him pretty much Oh forget that. You won't be needing that.


FUCK YOU!


Bubo is not to be shat upon! corny or not....


SPOILER OVER




The biggest thing for me here, as I said, was the tone and theme of this film in comparison to the original. I think this is more of a fair contrast between the two because I'm not necessarily saying the first one is technically better. It seems obligatory almost these days for action films to have a 'tude... and new Clash is no different.

One big thing I loved about the first film is that it felt authentic as far as Greek myths, and followed essentially one mythical hero's quest to challenge forces far beyond his scope. The gods were almost separate from the humans, playing chess with them if they wanted and dealing more with their relationships with one another. It's certainly not explored to its fullest extent in old Clash, but having Zeus protect his mortal son and other gods looking after their own interests as well added an interesting element to that film.

New Clash has to have the modern day 'shove it up your ass' attitude of course, having the humans declare this the new era of man... damn the gods! Perseus' quest against the odds of old Clash has been transformed now to a quest of lots of guys that Perseus just kind of stumbles into and goes along with. He is still the central figure in the struggle, but it becomes less about his myth now and more about the city of Argos rebelling.

Perseus could care less that he has gifts from the gods here, whereas in old Clash, the awesome sword/shield/helmet/BUBOTHEMIGHTY gifts were all cherished and came in handy in their own ways.

And was it just me, or was the whole Pegasus story much more interesting the first time around? And does he really need to be black? Come on... The original myth had Pegasus coming out of Medusa's neck hole after Perseus removes her head for her. How fucked up is that??

The relationship between Zeus and Perseus was not handled as well in new Clash either. In old Clash, Zeus looked over his son, and wanted him to succeed. Was it because Zeus is an egomaniac and his blood had to prevail? Perhaps, but it made some interesting (if underdeveloped) tension between the gods there. In new Clash, Perseus is far more a bastard child... offspring from Zeus fucking over a king that Zeus may or may not even remember. Zeus communicates with Perseus from time to time, but it's less of a game now and more of the gods dealing with their rebelling human problem.

Am I reading too much into this?

New Clash was fun, but watching it (and unfortunately comparing it) to the old was a mistake. On it's own, it's a good popcorn flick certainly. The creatures don't have that special Harryhausen touch, obviously, but look phenomenal in their own right.

As I write about new Clash, I feel better about it honestly. Maybe that would change if I sat down and watched it again, as I felt irritated upon watching it this weekend, but especially for people not super familiar with the original, new Clash is fun. If you can leave your notions at the door, you can enjoy it more than I did certainly.

Wednesday, August 5, 2009

CONQUEST




Original Title: Conquest
Year: 1983
Director: Lucio Fulci
Writer: Gino Capone (screenplay), José Antonio de la Loma (screenplay), Carlos Vasallo (screenplay), Giovanni Di Clemente (story)
IMDB: http://www.imdb.com/title/tt0088379/
Genre: Fantasy Adventure



imdb synopsis: A young man, armed with a magical bow and arrows, embarks on a mystical journey through a mystical land to rid it of all evil and joins forces with an outlaw to take down an evil witch bent on claiming the magic bow for evil.

While exploring fantasy films that might be interesting to review, I came across this little flick directed by some guy name Lucio Fulci.

Fulci doing a Conan the Barbarian clone.... How can I possibly pass this up?

I had not heard of this before, but I went in a bit weary since the general consensus seems to be that Fulci pretty much lost 'it' once we get into the 80s. After watching this... well, I may have to agree. BUT, it was definitely better than The Warrior and the Sorceress! Sorry, Mr. Carradine.


The film opens with a stylized scene showing our hero Ilias, donning his leather armor, getting a speech from his father that looks more like his grandfather, and receiving the legendary family bow that is said to have given its original owner the power of the sun to shoot down enemies... or something. Our fluffy haired Ilius here is in semi-transparent mode! It's meant to represent an event in the past, as it fades into a once-again empty landscape as Ilius floats off, but to me it really came across as more annoying than anything. The voices are echoy and the synthy music is loud (but feels oddly Fulci-esque)

Ilius is on his way across the ocean in a shitty canoe to find evil and defeat it. Mmmkay

Our villain is the evil sorceress Ocron, who is plagued when she gets high on a drug injected into her nostril by a wolfman with a small blowgun (yep) by a vision of a faceless warrior slaying her with a magical bow.

All the poor woman (?) wants to do is have a bunch of poor cavemen believe her magic makes the sun rise every morning, eat some brains from severed heads, and get wasted on nasal powder injections, but no, this mulleted douche has to come and ruin everything with his lazer bow!

Some may find it distracting that the sorceress wears this cheap looking golden mask the whole film, hiding any emotive acting she may produce, but I gotta say... when she is not slurping brains, being nude the whole time with that fucked up mask, writhing, and her spiky rubber thong was kinda sexy. Well, the nudity does most of the work there I suppose. The thong has to be uncomfortable...

The is played by the sexy Sabrina Siani (credited here as Sabrina Sellers), although I think just her body was needed as there is no evidence it is her speaking in the role. She was also in 2020 Texas Gladiators, another film I will have a review for on here eventually.



HOT!
Awkward... BUT HOT!

Well, poor, skinny Ilius has been wandering around for awhile evidently looking for some hot, evil action. But it isn't until Ocron has her stoner visions that she sends the action looking for him. After coming across a crusty but sultry young lady, he is attacked by a gang of men in hockey masks and others in what appears to be man-boar costumes, but we later find out they are canine. He only brought 5 arrows with him for some reason, so when he runs out, the group tackles him.

ENTER MACE!

Now we're talking! Enough with this skinny excuse for a hero. Now we have a mysterious beefy man in furs, wagging around some prehistoric set of nunchuk like a giant shlong while the bad guys cower away. And just to be sure we get the point, the camera slowly zooms in on Mace's crotch while he twirls his weapon a couple times more.

"Who are you?"
"My enemies call me Mace."
"And your friends?"
"I don't have any friends."

Mace kinda looks like a Fabio version of Conan with a Charles Manson-like brand on his forehead. He tells Ilius that the sign on his forehead means every man is an enemy, and that he saved Ilius' bow from the attackers, not Ilius himself.

We finally enter the main plot of the story now as the two new companions journey together, teaching one another really... Mace teaching Ilius about this more prehistoric and violent land of his, and Ilius teaching Mace how to be close to another person.


Don't be shy!

Ocron is getting more worried and sends out the big guns. She doesn't want to get sunburned as she owns no clothes, you see. So she sends out Zora who is some sort of god I guess to do the dirty work her hockey/wolfboar masked henchmen could not.

Which gets me to the special effects.

Zora is the golden armored baddie on the poster above. He looks quite menacing there, but isn't nearly so cool in the film itself. However, I still like his look with what appears to be woven strips of metal. His face is hidden like Ocron's, but I'm OK with that. Ocron's mask we already discussed. It looks cheap, but I liked the effect well enough.

There are some other interesting costumes and effects in the film. The wolf men don't look bad, but it did take a closeup for me to realize they were canine as opposed to porcine (their noses even look wet like a little pooch!). There are some cool zombies, and for a low-budget, early 80-s film, I suppose the blue powered bow was pretty neat.

The bow reminded me instantly of the leader guy's magical bow from the old Dungeons & Dragons cartoon from the 80s. I LOVED that show as a kid, and I wanted that goddamn bow!

We are treated to some trademark Fulci gore. I mentioned the zombies - they appear to be wearing sheets or robes, but they are grimey and crusty and well done, as is the par for Fulci.

There are some pretty gross effects with oozing pustules/boils, some nice blood squirts, and some cheap stuff like waxy, tearing skin, entrails (cool death scene there near the beginning) and fairly fake looking but entertaining beheadings, which to me in a film like this add to the effect. We're here for the gore and some smiles... we can't take this one seriously.

The nice, wet sound effects that I love in Fulci's films are present as well. He turns the volume up to 10 on blood oozing and such.



Unfortunately, the positives end here. There are some real issues with the film that made it a slight chore to watch at times. The visuals are ALWAYS hazy... there is either smoke obstructing everything, the sun is directly behind someone speaking, the scene is so poorly lit that I had trouble telling what was even happening... I suppose it was all done for effect, but the softness and haziness and darkness got old very quickly.

The music here was atrocious as well I thought. The synthy opening made me smile because it felt like Fulci's other films from the same time, but it goes on and on and on, and it is very loud next to the vocals. It dates the film horribly I thought.

The acting was par for what this was... nothing too hideous, and the story felt a little boring at times, but again, nothing overly offensive there either. At least the story stays simple and easy to follow, as some of these Italian knock-offs can just go around in circles and confound a story completely.

All in all, despite its flaws, I thought this was a solid entry into the genre. I didn't feel as though I had wasted this time like after watching The Warrior and the Sorceress The two closely compete for nekkid sorceress screen time, but Conquest comes out ahead in story, effects, and overall fun.

I would recommend this to anyone looking for a decent (albeit low-budget) fantasy film or how to overuse a fog machine.

5.75 out of 10

Watch out for the dangerous film scratches!

Wednesday, July 29, 2009

THE WARRIOR AND THE SORCERESS


(Now THIS is what we call a misleading poster!)



Original Title: The Warrior and the Sorceress
Year: 1984
Director: John C. Broderick
Writer: John C. Broderick, William Stout
IMDB: http://www.imdb.com/title/tt0088379/
Genre: Fantasy Adventure



imdb synopsis: The mighty warrior, Kain, crosses the barren wastelands of the planet Ura, where two arch enemies, Zeg and the evil degenerate Balcaz, fight incessantly for control of the village's only well. Kain sees his opportunity and announces that his sword is for hire...but his eyes stay clearly on the beautiful captive sorceress Naja, and his newly awakened purpose.

Ah, David Carradine. Here we have what I would say is a pretty forgettable fantasy tale starring our favorite kung fu superstar. Well, American kung fu star. Well, American television kung fu star. Eh, close enough.

I had to go and say I wanted to see some fantasy films. I couldn't leave well enough alone and stick with Conan and Lord of the Rings. I just had to push and push. Well, I made my bed and now I have to lie in it.

If Akira Kurosawa's Yojimbo was somehow knocked up by A Fistful of Dollars and Return of the Jedi at the same time, the resulting panicked abortion a couple weeks later would be this film.

Not to say it is all bad. Well, it is, but some of it is so bad it is good......I guess?

The film opens with Carradine's character Kain wandering through the desert. Once he arrives at a city where two gangsters are at constant war over an evidently rare well, and meets an old prelate who lives there, we come to learn that he is a holy warrior that has lost his way.

After assessing the situation, Kain sets out to pit the two warring gangsters against one another, while making money for himself along the way. We have a pretty cool fight sequence as he dispatches Zeg the Tyrant's guards around the well while Bal Caz looks on.

It really gave me some hopes for the film - Carradine looked OK wielding his sword. We even get a severed arm!

Hahahahaha OWNED!

But alas, the brakes are pressed now as the "psyhological" portion of the film begins. Kain figures out ways to work for both gangsters at the same time while making money money money. Keep an eye out for his asking for a specific amount of cash, and Zeg always happening to have a tied-up bag nearby with that exact amount in it.

It just feels really slow and poorly written here. I understand that Kain wants to make money off the two men, but his way of doing so just seems very roundabout. If he is so incredible, it seems like he could just off the men and take what he wanted. But that would make this one hour seventeen minute film even shorter. We are "treated" to some terrible acting all around through this part as well as little to no actual fighting and swordplay.

See Zeg and Bal Caz just stand there waving swords and doing nothing at all!

Boring!

Finally we get to the beef of the story when Kain discovers the Sorceress Naja in Zeg's dungeon. She is being held captive so that she may finally create a holy sword for Zeg to defeat Bal Caz once and for all. She keeps giving him duds, however, but now promises to make the holy sword for Kain.

And while we are on the subject of Naja, we can move to the nudity in the film! Inexplicable there is quite a bit. Naja herself is topless for pretty much the entire film. Not a bad figure at all on our heroine. With that frizzy hair and look like something smells all the time, perhaps she thought she could raise her stock by showing off some bouncy boobage AT ALL TIMES. Shit, even when Kain gives her his cloak during an escape, she somehow gets rid of it and he is wearing it again. Guess she just likes being nekkid.

Perhaps it helps with the spell casting? Sparkly boobs!

Oh, she even runs naked. Nice.

We have the woman that Zeg watches drown for entertainment. Don't people need to drink that water? She takes the 70s/80s lack of grooming to an extreme as it appears she is hiding a furry cantaloupe in her crotch.


And how could I not mention the peculiar character that appears on the oh so lovely poster for the film? I'm not sure what her name was, but the scene was pretty much lifted straight from the musical number in Jabba's palace in Return of the Jedi. (Minus the good music and all that.)

Yes, I'm talking about the lovely quad-mammaried lady.

She starts out dancing for our hero.

OK... not too bad!

Ohhh wait you naughty girl... what are you up to?

There goes the dress!

Oh?

Oh.

Ohhh.....

Um... hmmm.

I get it I guess. Since a pair of boobs are fun and sexy and all, TWO pairs of boobs, well that's just double the fun! Welllll, they really come across as udder-like here in my opinion. Kinda weird I guess, but looked more like a deformation than extra super fun sexy time.

It's pretty sad when some of your best special effects in the film are an extra set of tits on a dancer in the film for all of 30 seconds. Must have been a labor of love.

If it weren't for all the nudity, this film is almost kid-safe. The fights after the arm severing are not overly gory, and there is no sex to speak of.


As I said earlier, the acting is pretty atrocious overall. Carradine is his normal self I suppose. Thankfully he didn't attempt any weird medieval style accent or it could have been tragic.

The tyrants are laughable. Bal Caz is creepy and has a shitty looking lizard/midget hybrid that hangs out with him, and Zeg's dramatic pensive moments are at best awkward.

Zeg's first in charge Captain Keif, is hammy and over the top, although he is oily and shirtless every time you see him for those who find that entertaining. He sported an impressive six-pack, but he will never look as cool oiled up in a loincloth as Marc Singer in The Beastmaster!

Oh, and Naja's contribution essentially ends with her bare chest.

Carradine didn't seem to be 100% into this one. His delivery and fighting especially seemed lazy and disinterested. The kicks and punches in the fight scenes lacked any OOMPH whatsoever. It really felt like to me he was there for his paycheck and thought his name was enough for this production. Granted, I have not seen a ton of stuff, but I think Carradine wanted to be elsewhere.

Look at this kick to a foe's back. Come on Mr. Kung Fu, that is just half assed!

The sets also left much to be desired. It looked as though it was old 1960s Star Trek leftovers. I doubt much was filmed outdoors besides the intro to the film, as everything is surrounded by the styrofoam rocks and filled in with what appears to be sandbox sand. The monster(s) and makeup were kinda crappy too, but there is one that was pretty funny looking. I'll let you discover where he is on your own, but you may laugh when his tentacles rise up initially.

This film had its moments. Some fighting was OK, although there was not enough of it for what I want in a film of this genre. There's nudity which can be fun I suppose, but you can get that in better quanity and quality elsewhere. No cool magic to speak of.

I cannot recommend this unless you are a Carradine completist.

4 out of 10

Saturday, July 25, 2009

CONAN THE BARBARIAN

Well, lately I have had a craving for some fantasy films. My wife wanted to see the new Harry Potter (which was OK I guess... not really a huge Potter fan myself), which at times had me wanting to see the Lord of the Rings trilogy again.


But what fun is that for blog writing, eh? Surely those have been talked about to death.

So let's look into a few more "classic" films in the genre. We'll start with one we all probably know fairly well...



(I know this isn't the poster most of us know with Arnold raising his sword above his head, but this Frank Frazetta piece was just too awesome not to show)



Original Title: Conan the Barbarian
Year: 1982
Director: John Milius
Writer: John Milius, Oliver Stone (screenplay), Edward Summer (story) (uncredited), based on original stories by Robert E. Howard
IMDB: http://www.imdb.com/title/tt0082198/
Genre: Fantasy Adventure



imdb synopsis: The epic tale of child sold into slavery who grows into a man who seeks revenge against the warlord who massacred his tribe.

Conan the Barbarian is a character created by Robert Howard in the 1930s for a pulp science fiction magazine called Weird Tales. Since that time, Conan stories have been written by many others and have appeared in not only the magazines, but comics and eventually novelization.

This first Conan film came in 1982, and it came with a bloody fury I must say. I had not seen this film since I was younger Some things I remembered well (giant snake and James Earl Jones) and some I completely had forgotten it seems... namely the blood and boobs! Perhaps this is due to only seeing it on television as a kid so most if not all of the gore and nudity would have been edited out. It takes awhile for the gore to show up, but if you stick around you'll get tastes of it, then the blood starts to flow a little more than halfway through. For a major release, I was pretty impressed by this.

The story follows Conan from childhood, to his release, briefly with his life as a thief, until we get to the main chunk of it with his quest to find King Osric's daughter and ultimately the man who killed his parents and enslaved him 20 years prior, the megamullet-sporting Thulsa Doom.

I've not read Robert Howard's stories, but I have read some recent Dark Horse comic adaptations of the stories which are pretty entertaining and from what I understand true to the original. I'd definitely recommend checking those out if you are into the genre and into comics.

There is also the Conan the Barbarian comics by Marvel in the 1970s (illustrated by one of my favorites Barry Widsor Smith), but I've not read those so I cannot comment on how faithful to the original they are.

OK, now I am getting completely sidetracked!

Where I was going with this whole thing is that the story in the film was changed from the original, and Conan purists may have issue with some of it. Conan was not actually a slave in the original stories, but was born on a battlefield and trained to be a warrior until he was 15 when he decided to wander the land. Also in the film, his training by fighting in gladiator-style battles (initially against his will) and is taught to read/write and eventually fight by his owners. While I do not really have issue with this, it is a change of character for Conan as he is presented as much less vicious and self-reliant than he is in the original stories. Another difference I believe is the intelligence of the Conan character, but perhaps this can be attributed more to the actor than the writer.

This was Arnold Schwarzenegger's real opportunity at being a leading man, having really only played bit parts in films from the 70s. (I guess Hercules in New York in 1970 counts as a leading role, but he was hilariously dubbed over in that one.)

He did an admirable job, and it must have worked because he absolutely blew up after this, with Conan the Destroyer, Red Sonja, and the fantastic Terminator to follow soon after. But what he does here mainly is look good as the beefy barbarian. He really does not speak all that much even though it is pointed out in the film that he was taught to read and write, and that in the original stories Conan relied on his intelligence as well as his brawn to get through life. At times in the film, Arnold just doesn't even sound all that bright when speaking. The lines he does deliver can sometimes feel very flat and out of character.

I am not going to say though that he was a bad choice for the role. There may have been others at the time who could have acted a more well-rounded Conan, but Arnold IS Conan now (and the Terminator), and I wouldn'd want that to change.

Most of the other characters with Conan here are pretty forgettable I thought. Subotai, a thief played by Gerry Lopez (who has acted in about 5 movies total), and Valeria, the love interest and also a thief, played by the agile Sandahl Bergman.

Subotai was throw-away I thought; nothing really memorable from him overall. His mustache/goatee combination was quite impressive, but it was probably just glued on. Here's a photo of him smelling something stinky... maybe his acting?

Valeria was a bit more interesting, but the romantic scenes with her were pretty corny. At least she looked quite impressive weilding a sword. There is one cool move where she runs a bit up a wall to dispose of two guards. At times she was okay-looking I thought, but sometimes she could look really hot as well. Here is Sandahl looking windblown and forlorn.

James Earl Jones turns in a strong performance I thought, but he really seemed like an odd casting choice. Sure he brought the cool voice and can look and sound intimidating, but he was kinda fat at this point and looked kind of strange with his very long, flowing near-mullet. I just had a hard time buying him 100% as a roving warlord turned snake-cult-wizardy guy. His cool special move with a snake and a bow was pretty awesome. "Sssseeek...."


I don't want to come across here as being all negative on this film. I'm far from it honestly. It definitely has a nostalgia factor for me, but I thought it was an interesting (if a big long) story, the music was outstanding, and the costumes and sets were really, really great.

John Milius is better known for his writing than his directing definitely (he did the screenplay for Apocalypse Now, one of my favorites!), but I thought the film was handled well. The fight coreography was brutal and fun, there were loads of extras, and overall it just looked very nice. There wasn't anything super outstanding and artistic in the direction choices, but his style worked for what this was I think. Like I said, the story did seem to go on a bit. The film clocks in at a little over two hours, and I did find myself looking at the clock a couple times to see what was left. I'm not sure though what could be trimmed to make it tighter.

I was surprised to see that Oliver Stone worked on the screenplay as well (it was just something I never noticed in the credits), so perhaps that has something to do with it being long-winded!

I would have like to have seen more sweeping shots of the environment as we move from snowy mountains to windy, barren plains, but often we are kept only seeing a little at a time. But the towers and torches and loads of extras make up for this and then some.


The costumes were really nice as well. The Doom culters sported some fantastic helmets and armor for instance. Some of the armor looked barbarian like with fur and studs and such, and there was even some Mongol-era looking armor pieces in there when Conan and company were preparing to defend themselves at the wizard's hideout.

There was a nice variety of weaponry, one ally of Doom sporting a giant maul even. The detailing on some of the swords shown, including the one neing carved and forged in the film's opening (some sweet skull carving on the hilt) and the sword Conan finds in a tomb after being set free and chased by dogs. I would have liked this sword to be much, much larger however as that is how I have seen Conan portrayed.

There were some great almost S&M style masks on guards at Doom's palace, light brown and crudely stitched.

At one point Arnold sports some body paint that is probably pointless to the story (contrasty black camoflage in a well-lit orgy room?) but makes him look really damn cool!

The Dungeons & Dragons nerd in me loves all this sort of thing!



My memories of this film were better than my opinion of it after watching it today. I think it is plagued by some odd choices (the casting primarily) and just feels a little long for what story is actually there, but it still remains fun for me and I enjoyed it quite a bit.

I'd recommend anyone interested in the genre.
Or anyone wanting to see Arnold punch a camel.

7 out of 10